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Exile on Main St. is the tenth British and twelfth American album by the Rolling Stones, released as a double album on May 12, 1972 by Rolling Stones Records.After the release of "Sticky Fingers", the Rolling Stones left England due to high recording studio fees and moved to the south of France, where Keith Richards rented the Villa Nellcotte for the band members and their entourage. Using their portable studio, […]

At BluesWave Radio, our producers are always chasing that next great discovery—especially when it comes to today’s Greek Rock scene. There’s something uniquely exciting about finding bands that carry a fresh sound, strong identity, and the kind of energy that instantly belongs on the air of our radio. That spirit of exploration is part of who we are: we listen, we dig deeper, and we proudly share new Greek Rock, […]

Supertramp is one of the few pure-blooded bands of the seventies that manage to combine a completely personal style with moments of remarkable compositional and interpretative work.Their music, simple in its basis, is presented in an extremely artistic manner, which is mainly based on the amazing skill of the members and the wonderful orchestrations of Hodgson-Davis, the central core of the group. If you add to the above their amazing […]

Love Devotion Surrender is an album released in 1973 by guitarists John McLaughlin and Carlos Santana, supported by their respective bands Santana and Mahavishnu Orchestra. The album was inspired by the teachings of Sri Chinmoy and was intended as a tribute to John Coltrane. It contains two compositions by Coltrane, two songs by McLaughlin, and a traditional gospel song arranged by Santana and McLaughlin. The album went gold in 1973 […]

Love is the self-titled debut album by the Los Angeles rock band Love, released in March 1966 by Elektra Records.Twelve of the album's fourteen tracks were recorded at Sunset Sound Recorders from January 24 to 27, 1966. The remaining two tracks, "A Message To Pretty" and "My Flash On You", were recorded during some of the band's informal rehearsals.Love has elements of folk rock, garage, proto-punk and psychedelic rock. It […]

Join us on Christmas Eve at 10:00 pm for a unique festive broadcast on BluesWave Radio.Produced and curated by Steve James, the Blues Café – Christmas Special is a soulful journey through classic and contemporary Blues Christmas songs, enriched with personal holiday wishes and messages from Blues artists themselves.Tune in for an intimate, warm, and authentic Christmas atmosphere, where the spirit of the Blues meets the spirit of the season. […]

Morrison Hotel is the fifth studio album by American rock band The Doors. It was released by Elektra Records in February 1970. The album is split into two sides with the separate titles "Hard Rock Cafe" and "Morrison Hotel" and is largely seen as the Doors' return to the mainstream.Morrison Hotel was a return to basics largely stemming from the group's frustration with the prolonged recording sessions for The Soft […]

Uncle Watson’s Widow delivers a raw, heavy brand of southern blues steeped in grit, groove, and soul. Based in Winston-Salem, the band channels the spirit of the Delta with smoky vocals, deep-pocket rhythms, and guitar work that cuts like rusted steel. Their sound is a modern, hard-hitting take on tradition — equal parts swampy blues, back-porch storytelling, and barroom thunder. When Uncle Watson’s Widow hits the stage, the blues gets […]

Troubadour is a 1976 album by J. J. Cale, his fourth since his debut in 1972. Eric Clapton covered the song "Cocaine" on his 1977 album Slowhand, turning it into one of his biggest hits. He later covered the track "Travelin' Light" for his 2001 studio album Reptile. "Travelin' Light" was also recorded by Widespread Panic for their 1988 album Space Wrangler. The original "Travelin' Light" by J.J. Cale performed […]

Black and Blue was the first studio album by the Rolling Stones to be released with Ronnie Wood replacing Mick Taylor. Wood had played twelve-string acoustic guitar on the track "It's Only Rock 'n Roll (But I Like It)" from the album It's Only Rock' n Roll and appears on half of the tracks on Black and Blue, mainly on backing vocals, with Wayne Perkins and Harvey Mandel playing guitar […]

Made In Japan is the seventh and first live album by Deep Purple, recorded during their first tour of Japan in August 1972. It was initially released in December 1972 in Europe and in April 1973 in the United States, and was a great commercial and critical success.The band was known for their strong stage presence, having recorded several of their concerts in person and having made several broadcasts through […]

Second Helping was the second album by Lynyrd Skynyrd, released on April 15, 1974. It contained the group's biggest hit single, "Sweet Home Alabama", a response to Neil Young's "Alabama" and "Southern Man". The song reached No. 8 on the Billboard Hot 100 in August 1974. This was the group's last L.P. with Bob Burns on drums.The album was recorded at Record Plant Studios in Los Angeles except for "Sweet […]

Aladdin Sane is the sixth studio album by David Bowie, released by RCA Records on 13 April 1973. It is the follow-up to the groundbreaking The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and was the first album Bowie wrote and released to achieve such a major impact on the music scene.The editors of New Musical Express, Roy Carr and Charles Shaar Murray, described the album […]

Abraxas is the second studio album by Santana, released in September 1970.The album's title comes from a line in Hermann Hesse's book Demian, referenced on the album's back cover:"We stood before it and had begun to freeze inside from the exercise. We questioned the painting, we scolded it, we made love to it, we prayed for it. We called it mother, whore, singer, slut, we called it our beloved, we […]

Bob Dylan At Budokan is a double live album by American singer-songwriter Bob Dylan, released in April 1979 by Columbia Records. It was recorded during his 1978 world tour and consists mainly of the artist's "greatest hits". The performances on the album are radically different from the originals, using the same musicians who played on Street-Legal, but relying on a much larger band with a stronger brass and backing vocal […]