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H.P. Lovecraft II, as the title suggests, is the second album by the American psychedelic rock band H.P. Lovecraft, released in September 1968 by Philips Records. As with their first LP, the band combines psychedelic and pop-rock influences, although they place a greater emphasis on psychedelia than on their first album. H.P. Lovecraft II failed to sell enough to enter the Billboard Top LPs chart or the UK Albums Chart, […]

This double live album, made on BJH's final tour with Wooly Wolstenholme in attendance, is one of the best live albums progressive rock has ever produced.While not as exciting as Genesis Live or as grand as Yessongs, it shows the band in excellent form, fully in tune, playing many of their best songs, including "Child Of The Universe", "Rock And Roll Star", "Poor Man's Moody Blues", "For No One" and […]

Dive into the progressive rock universe with DJ George on BluesWave Radio! Rediscover timeless treasures from Pink Floyd, Premiata Forneria Marconi, Eloy, Kraftwerk and Emerson Lake & Palmer. Prepare for a sonic journey through epic soundscapes, intricate melodies, and groundbreaking musicianship. Tune in for an unforgettable progressive rock experience. This Sunday on 10:00 pm listen to the Travelers on the Ship of Music show with DJ George. Discover Progressive Rock AND MORE Meet DJ George: […]

Who's Next is the fifth studio album by the British band The Who. It was based on the never-released rock opera Lifehouse, which had been written by Pete Townshend as a follow-up to the 1969 album Tommy. The project was cancelled due to its complexity and the group's conflict with Kit Lambert, the band's manager, but the Who salvaged a few stand-alone songs, without the connecting story elements of the […]

Mardi Gras is the seventh and final studio album by American rock band Creedence Clearwater Revival, released on April 11, 1972. It was recorded after the departure of guitarist Tom Fogerty and was their only album as a trio, with the band also sharing lead vocals on select tracks.Unlike previous albums, Mardi Gras featured Stu Cook and Doug Clifford sharing songwriting and production with John Fogerty, as well as their […]

Two For The Show is the sixth album by American progressive rock band Kansas and their first live album, released in October 1978 by Epic/Legacy Records. The album was reissued in a remastered form on CD in 2008. It was recorded during the band's three previous tours in 1977 and 1978 and went gold and then platinum shortly after its release.The album spawned a single, "Lonely Wind", which preceded the […]

Zebop! is the 12th studio album by Santana, released on April 29, 1981 by Columbia Records with producers Carlos Santana, Bill Graham and Keith OlsenAfter collaborating with Herbie Hancock on the jazz album The Swing Of Delight, Santana returned to the realm of pop-rock for 1981's Zebop. They even managed to include, albeit slightly, some of their famous Latin sound on some of the album's tracks, such as "E Papa […]

Today is a very special day for Blues Café. Steve James will host his 300th show which is on the air continuously since 2019. Here are some words from Steve:"Today is a special show for me as it is show number 300 of Monday Blues which started on the 2nd September 2019 and not one week’s show has been missed from that date."Thank you Steve for your great show, we […]

One of the best sounding rock albums, we have come by, is the new LP "Midnight at the Valencia" by Cardinal Black.Cardinal Black is a Welsh-formed rock band comprised of Tom Hollister, Chris Buck and Adam Roberts. While they are a relatively new band, their members have been playing together for years, with some of their music written years prior to the band's official formation. They are known for their […]

Animals is the tenth studio album by Pink Floyd, released on 21 January 1977 by Harvest and Columbia Records. It was recorded at the band's Britannia Row studios in London in 1976 and was produced by the band itself. The album continues the extensive songwriting style found on their previous works, including 1975's Wish You Were Here. The album received positive reviews and was commercially successful, reaching No. 2 and […]

Go is the first album by the supergroup Stomu Yamashta's Go, released in 1976, and is a concept album in the truest sense of the word, fusing pop/rock sounds with jazzy colors and classical elements that are connected by a central motif of space travel. More specifically, according to journalist Robin Denselow, the whole thing deals with "change and the polarity between fantasy and reality, death and revolution and the […]

Welcome Back, My Friends, To Show That Never Ends - Ladies and Gentlemen E.L.P. is the second live album by English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 by Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their 1973 fourth album, Brain Salad Surgery.The album […]

Working Nights is the debut album by British jazz band Working Week, released by Virgin Records in 1985. The album peaked at No. 23 in the UK Albums Chart in April 1985. Working Nights was re-released in 2012 as a remastered 2-disc Deluxe Set by Cherry Red Records.Working Week were the brainchild of guitarist Simon Booth and saxophonist Larry Stabbins, who had worked with Booth in his previous band, the […]

Eat a Peach is a 1972 double album by the American rock band, The Allman Brothers Band, containing a mixture of live and studio recordings. Following their artistic and commercial success with the release of the live album At Fillmore East in 1971, the band entered the studio for their third album.Sadly, on October 29, 1971, the band's leader and founder Duane Allman was killed in a motorcycle accident in […]

Space Oddity is the second studio album by David Bowie, released on 14 November 1969 by Mercury, a subsidiary of Philips Records, and produced by Gus Dudgeon and Tony Visconti.Following the commercial failure of his self-titled debut album in 1967, Bowie acquired a new manager, Kenneth Pitt, who also took on a promotional film in the hope of broadening the artist's audience. For the film, Bowie wrote a new song, […]