sound quality

Morrison Hotel is the fifth studio album by American rock band The Doors. It was released by Elektra Records in February 1970. The album is split into two sides with the separate titles "Hard Rock Cafe" and "Morrison Hotel" and is largely seen as the Doors' return to the mainstream.Morrison Hotel was a return to basics largely stemming from the group's frustration with the prolonged recording sessions for The Soft […]

Uncle Watson’s Widow delivers a raw, heavy brand of southern blues steeped in grit, groove, and soul. Based in Winston-Salem, the band channels the spirit of the Delta with smoky vocals, deep-pocket rhythms, and guitar work that cuts like rusted steel. Their sound is a modern, hard-hitting take on tradition — equal parts swampy blues, back-porch storytelling, and barroom thunder. When Uncle Watson’s Widow hits the stage, the blues gets […]

Troubadour is a 1976 album by J. J. Cale, his fourth since his debut in 1972. Eric Clapton covered the song "Cocaine" on his 1977 album Slowhand, turning it into one of his biggest hits. He later covered the track "Travelin' Light" for his 2001 studio album Reptile. "Travelin' Light" was also recorded by Widespread Panic for their 1988 album Space Wrangler. The original "Travelin' Light" by J.J. Cale performed […]

Black and Blue was the first studio album by the Rolling Stones to be released with Ronnie Wood replacing Mick Taylor. Wood had played twelve-string acoustic guitar on the track "It's Only Rock 'n Roll (But I Like It)" from the album It's Only Rock' n Roll and appears on half of the tracks on Black and Blue, mainly on backing vocals, with Wayne Perkins and Harvey Mandel playing guitar […]

Made In Japan is the seventh and first live album by Deep Purple, recorded during their first tour of Japan in August 1972. It was initially released in December 1972 in Europe and in April 1973 in the United States, and was a great commercial and critical success.The band was known for their strong stage presence, having recorded several of their concerts in person and having made several broadcasts through […]

Second Helping was the second album by Lynyrd Skynyrd, released on April 15, 1974. It contained the group's biggest hit single, "Sweet Home Alabama", a response to Neil Young's "Alabama" and "Southern Man". The song reached No. 8 on the Billboard Hot 100 in August 1974. This was the group's last L.P. with Bob Burns on drums.The album was recorded at Record Plant Studios in Los Angeles except for "Sweet […]

Aladdin Sane is the sixth studio album by David Bowie, released by RCA Records on 13 April 1973. It is the follow-up to the groundbreaking The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and was the first album Bowie wrote and released to achieve such a major impact on the music scene.The editors of New Musical Express, Roy Carr and Charles Shaar Murray, described the album […]

Abraxas is the second studio album by Santana, released in September 1970.The album's title comes from a line in Hermann Hesse's book Demian, referenced on the album's back cover:"We stood before it and had begun to freeze inside from the exercise. We questioned the painting, we scolded it, we made love to it, we prayed for it. We called it mother, whore, singer, slut, we called it our beloved, we […]

Bob Dylan At Budokan is a double live album by American singer-songwriter Bob Dylan, released in April 1979 by Columbia Records. It was recorded during his 1978 world tour and consists mainly of the artist's "greatest hits". The performances on the album are radically different from the originals, using the same musicians who played on Street-Legal, but relying on a much larger band with a stronger brass and backing vocal […]

Salisbury is the second studio album by British hard rock band Uriah Heep, released in January 1971 in the United States and a month later in the rest of the world, through "Vertigo Records".The album introduced Uriah Heep to a "progressive" rock musical approach, with the album's title track, which lasts over 16 minutes and features a 24-piece orchestra, being a typical example. "Salisbury" also gave the band their first […]

DON’T LOOK BACK IS MISSISSIPPI HEAT’S 14TH ALBUM, produced by Chicago Blues Hall of Fame harmonica player PIERRE LACOCQUE and Grammy and Blues Music Award Winner Producer/Engineer MICHAEL FREEMAN. Freeman is the former Chair of the Board of Directors of the Blues Foundation. He returns at the helm for their 7th Mississippi Heat collaboration. The record was recorded and mixed at Chicago’s V.S.O.P studios and mastered by Paul Blakemore (Nashville, TN). Post-war Chicago Blues lovers […]

Led Zeppelin II, as its title suggests, is the second studio album by Led Zeppelin, released in October 1969 by Atlantic Records.The album was recorded between various tours by the group from January to August 1969.The tour to promote the album began in the United States on October 17, 1969, continuing in Great Britain and Europe from January to March 1970.The album was a great success, helping their first album […]

Dreamboat Annie is the debut studio album by American rock band Heart. At the time, the band was based in Vancouver, British Columbia. The album was recorded in Vancouver and first released in Canada by local label Mushroom Records in mid-1975. It was released in the United States on February 14, 1976, through Mushroom Records' Los Angeles subsidiary. The album contained three commercially successful singles, two of which became mainstream […]

Seconds Out is the second live album by Genesis following 1973's Genesis Live. It was released as a double LP on 14 October 1977 by Charisma Records and was their last with guitarist Steve Hackett before his departure. The majority of the recordings were made in June 1977 at the Palais des Sports in Paris during the Wind & Wuthering Tour. One track, "The Cinema Show", was recorded the previous […]

Spooky Two is the second studio album by English rock band Spooky Tooth. It was originally released in March 1969, by Island Records and licensed by A&M Records in the United States.Spooky Tooth's sound on this album is driven by a robust instrument and guitar, charting a course that fluctuates between the evocative sound of Deep Purple or Atomic Rooster on the one hand and the fearless, bluesy hard rock […]