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Here is an album that we really enjoyed listening and appreciated the music and the performance of the band. An immediate throwback to the realness and tradition of the electric Blues idiom of
the 60s and the Rhythm & Blues golden age, The Blues Way is the project that gives the start to SirJo Cocchi & Balta Bordoy’s journey together and that has already stirred enthusiastic responses both with their duo and quartet performances. SirJo dynamic vocals, piano playing and Balta’s raw and true guitar sound finally connected on their debut album Heads Up!, recently recorded with
their quartet in Barcelona. The recording was mixed and mastered by the renowned producer/guitarist Kid Andersen and features special guests Vìctor Puertas on harmonica and Nil Mujal on tenor sax. SirJo and Balta originally met and started collaborating in Mallorca (Balta’s home) in 2016 and this project is the fruit of the seed that was planted on that magical island.
Accompanying SirJo and Balta in Heads Up! is a tight and experienced rhythm section that has been playing together for years, consisting of Santi Ursul on bass and Micky Izquierdo on drums. The recording and the electrifying live performances succeed in capturing that traditonal, raw and essential sound that made us love those 60’s Otis Rush and Little Milton’s records and that convey the direct and honest energy of the Blues. For SirJo Cocchi and Balta Bordoy this album is the start of a collaboration that will bring a lot of good and organic music fruits for years to come.
Aladdin Sane is the sixth studio album by David Bowie, released by RCA Records on 13 April 1973. It is the follow-up to the groundbreaking The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and was the first album Bowie wrote and released to achieve such a major impact on the music scene.The editors of New Musical Express, Roy Carr and Charles Shaar Murray, described the album […]
Abraxas is the second studio album by Santana, released in September 1970.The album's title comes from a line in Hermann Hesse's book Demian, referenced on the album's back cover:"We stood before it and had begun to freeze inside from the exercise. We questioned the painting, we scolded it, we made love to it, we prayed for it. We called it mother, whore, singer, slut, we called it our beloved, we […]
Bob Dylan At Budokan is a double live album by American singer-songwriter Bob Dylan, released in April 1979 by Columbia Records. It was recorded during his 1978 world tour and consists mainly of the artist's "greatest hits". The performances on the album are radically different from the originals, using the same musicians who played on Street-Legal, but relying on a much larger band with a stronger brass and backing vocal […]
Salisbury is the second studio album by British hard rock band Uriah Heep, released in January 1971 in the United States and a month later in the rest of the world, through "Vertigo Records".The album introduced Uriah Heep to a "progressive" rock musical approach, with the album's title track, which lasts over 16 minutes and features a 24-piece orchestra, being a typical example. "Salisbury" also gave the band their first […]
DON’T LOOK BACK IS MISSISSIPPI HEAT’S 14TH ALBUM, produced by Chicago Blues Hall of Fame harmonica player PIERRE LACOCQUE and Grammy and Blues Music Award Winner Producer/Engineer MICHAEL FREEMAN. Freeman is the former Chair of the Board of Directors of the Blues Foundation. He returns at the helm for their 7th Mississippi Heat collaboration. The record was recorded and mixed at Chicago’s V.S.O.P studios and mastered by Paul Blakemore (Nashville, TN). Post-war Chicago Blues lovers […]
Broadcasting from Athens Greece, BluesWave Radio plays the best selections from all the genres of Blues and Rock music, ranging from the 60’s to today.
With a a passion for radio we’ve been curating the perfect playlists and creating great shows, for your work, leisure or relax time. You can trust BluesWave Radio for your favorite music 24/7!
Musical works are offered only for private use of each visitor/user and any further use/exploitation under any circumstances is forbidden without the permission of “autodia” and GEA-GRAMMO.
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