{"id":35408,"date":"2026-05-19T18:52:37","date_gmt":"2026-05-19T15:52:37","guid":{"rendered":"https:\/\/blueswave.radio\/fm223\/?p=35408"},"modified":"2026-05-19T18:53:01","modified_gmt":"2026-05-19T15:53:01","slug":"the-british-bluescasting-corporation-saints-sinners-new-british-blues-album","status":"publish","type":"post","link":"https:\/\/blueswave.radio\/fm223\/the-british-bluescasting-corporation-saints-sinners-new-british-blues-album\/","title":{"rendered":"The British Bluescasting Corporation \u2013 Saints &#038; Sinners | New British Blues Album"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"35408\" class=\"elementor elementor-35408\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-07dbdf6 e-flex e-con-boxed e-con e-parent\" data-id=\"07dbdf6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-03f9086 elementor-widget elementor-widget-text-editor\" data-id=\"03f9086\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p data-start=\"188\" data-end=\"376\">The British Bluescasting Corporation \u2014 or simply <strong data-start=\"237\" data-end=\"248\">The BBC<\/strong>, though not <em data-start=\"261\" data-end=\"267\">that<\/em> BBC \u2014 return with <strong data-start=\"286\" data-end=\"308\"><em data-start=\"288\" data-end=\"306\">Saints &amp; Sinners<\/em><\/strong>, the follow-up to their well-received debut album <strong data-start=\"359\" data-end=\"375\"><em data-start=\"361\" data-end=\"373\">High Horse<\/em><\/strong>.<\/p><p data-start=\"378\" data-end=\"620\">Released in 2025, <em data-start=\"396\" data-end=\"414\">Saints &amp; Sinners<\/em> features <strong data-start=\"424\" data-end=\"437\">12 tracks<\/strong> and runs at around <strong data-start=\"457\" data-end=\"471\">44 minutes<\/strong>, continuing the band\u2019s blend of feel-good rhythm &amp; blues, blues-rock, pub-rock energy and British musical wit.<\/p><p data-start=\"622\" data-end=\"970\">The album builds on the momentum of <em data-start=\"658\" data-end=\"670\">High Horse<\/em>, which, according to the band\u2019s press release, reached the Top 20 in both the <strong data-start=\"749\" data-end=\"757\">IBBA<\/strong> and <strong data-start=\"762\" data-end=\"777\">Roots Music<\/strong> charts, received international airplay and earned strong reviews. The new album was recorded at <strong data-start=\"874\" data-end=\"892\">The Hive Rooms<\/strong> and mastered at <strong data-start=\"909\" data-end=\"931\">Abbey Road Studios<\/strong>.<\/p><p data-start=\"972\" data-end=\"1200\">At the heart of the record is the core line-up of <strong data-start=\"1022\" data-end=\"1037\">Bob Cranham<\/strong>, <strong data-start=\"1039\" data-end=\"1051\">Ben Keen<\/strong>, <strong data-start=\"1053\" data-end=\"1067\">Barry Cook<\/strong> and <strong data-start=\"1072\" data-end=\"1091\">Dave Williamson<\/strong> \u2014 musicians whose collective CV reads like a guided tour through decades of British and international music.<\/p><p data-start=\"1202\" data-end=\"1563\">Bob Cranham, on guitar and vocals, has worked with names including <strong data-start=\"1269\" data-end=\"1282\">Five Star<\/strong>, <strong data-start=\"1284\" data-end=\"1299\">John Denver<\/strong>, <strong data-start=\"1301\" data-end=\"1315\">The Nolans<\/strong>, <strong data-start=\"1317\" data-end=\"1334\">Michael Nyman<\/strong>, <strong data-start=\"1336\" data-end=\"1355\">Newton Faulkner<\/strong>, the BBC, the National Theatre and many others. The band\u2019s own biography also notes his work as a producer, with more than 50 albums across different genres to his name.<\/p><p data-start=\"1565\" data-end=\"1985\">On bass and vocals, <strong data-start=\"1585\" data-end=\"1604\">Dave Williamson<\/strong> brings a heavyweight background in rock, pop and soul. His credits include work with <strong data-start=\"1690\" data-end=\"1703\">Midge Ure<\/strong>, <strong data-start=\"1705\" data-end=\"1724\">Beverley Knight<\/strong>, <strong data-start=\"1726\" data-end=\"1741\">Emma Bunton<\/strong>, <strong data-start=\"1743\" data-end=\"1760\">Ronan Keating<\/strong>, <strong data-start=\"1762\" data-end=\"1774\">Heatwave<\/strong>, <strong data-start=\"1776\" data-end=\"1801\">Katrina and the Waves<\/strong>, <strong data-start=\"1803\" data-end=\"1838\">The Crazy World of Arthur Brown<\/strong>, <strong data-start=\"1840\" data-end=\"1856\">Diamond Head<\/strong>, <strong data-start=\"1858\" data-end=\"1875\">Maggie Reilly<\/strong>, <strong data-start=\"1877\" data-end=\"1896\">Lisa Stansfield<\/strong>, <strong data-start=\"1898\" data-end=\"1914\">Dina Carroll<\/strong> and <strong data-start=\"1919\" data-end=\"1932\">Leo Sayer<\/strong>, among others.<\/p><p data-start=\"1987\" data-end=\"2408\">Behind the kit, <strong data-start=\"2003\" data-end=\"2017\">Barry Cook<\/strong> has the kind of r\u00e9sum\u00e9 that explains why the rhythm section feels so solid. His touring and performance history includes <strong data-start=\"2139\" data-end=\"2155\">The Drifters<\/strong>, <strong data-start=\"2157\" data-end=\"2178\">The Three Degrees<\/strong>, <strong data-start=\"2180\" data-end=\"2197\">Gloria Gaynor<\/strong>, <strong data-start=\"2199\" data-end=\"2215\">The Supremes<\/strong>, <strong data-start=\"2217\" data-end=\"2231\">Billy Paul<\/strong>, <strong data-start=\"2233\" data-end=\"2248\">Ben E. King<\/strong>, <strong data-start=\"2250\" data-end=\"2267\">Martha Reeves<\/strong>, <strong data-start=\"2269\" data-end=\"2293\">The Bay City Rollers<\/strong> and <strong data-start=\"2298\" data-end=\"2313\">Bjorn Again<\/strong>, with work across the UK, Europe, the USA and Australia.<\/p><p data-start=\"2410\" data-end=\"2899\">Then there is <strong data-start=\"2424\" data-end=\"2436\">Ben Keen<\/strong> on guitar and vocals, whose official band biography keeps things gloriously British: he is described as an \u201caccomplished guitar owner,\u201d taller than average, generally punctual and, according to Bob, the second-best guitarist in the band. Behind the humour lies one of the band\u2019s strongest assets: The British Bluescasting Corporation take the music seriously, but never fall into the trap of taking themselves too seriously.<\/p><p data-start=\"2901\" data-end=\"3302\"><em data-start=\"2901\" data-end=\"2919\">Saints &amp; Sinners<\/em> also features an impressive guest list. The press release names <strong data-start=\"2984\" data-end=\"3001\">Josh Phillips<\/strong> on Hammond, known for his work with <strong data-start=\"3038\" data-end=\"3054\">Procol Harum<\/strong> and <strong data-start=\"3059\" data-end=\"3075\">Eric Clapton<\/strong>, <strong data-start=\"3077\" data-end=\"3093\">Mike Piggott<\/strong> on violin, associated with <strong data-start=\"3121\" data-end=\"3134\">Pentangle<\/strong> and <strong data-start=\"3139\" data-end=\"3155\">Ralph McTell<\/strong>, plus <strong data-start=\"3162\" data-end=\"3179\">Bill McDonagh<\/strong> on saxophone and <strong data-start=\"3197\" data-end=\"3211\">Nick Trish<\/strong> on trumpet, both connected with <strong data-start=\"3244\" data-end=\"3263\">The Commitments<\/strong>.<\/p><p data-start=\"3304\" data-end=\"3564\">Josh Phillips\u2019 presence is especially notable for fans of Hammond-driven blues and rock. Procol Harum\u2019s own archive identifies him as the band\u2019s Hammond organ player for live dates in 1993 and again from 2004\/2005 onwards.<\/p><p data-start=\"3566\" data-end=\"3878\">The Dutch blues site Barn Owl Blues also highlights the album\u2019s strong guest contributions, noting that <em data-start=\"3670\" data-end=\"3688\">Saints &amp; Sinners<\/em> contains twelve tracks, including two covers and mostly original material, with Phillips, Piggott, McDonagh and Trish adding extra colour to the sound.<\/p><p data-start=\"3880\" data-end=\"4270\">Musically, this is not blues-by-numbers. The British Bluescasting Corporation operate in that rich space where blues meets rhythm &amp; blues, rock \u2019n\u2019 roll, soul, country touches and classic British pub-rock attitude. Their official description calls it \u201ctoe-tapping, feel-good Rhythm &amp; Blues,\u201d built around both classic blues material and original songs.<\/p><p data-start=\"4272\" data-end=\"4583\">That same spirit was already evident on <em data-start=\"4312\" data-end=\"4324\">High Horse<\/em>. Reviewing the debut, <strong data-start=\"4347\" data-end=\"4371\">Blues Blast Magazine<\/strong> described the band as a seasoned crew of studio and touring musicians, noting the mix of rock, country, blues-rock and R&amp;B, and praising the solid musicianship throughout.<\/p><p data-start=\"4585\" data-end=\"4880\">With <em data-start=\"4590\" data-end=\"4608\">Saints &amp; Sinners<\/em>, The British Bluescasting Corporation sound like a band completely comfortable in their own skin. There is experience here, but no stiffness. There is humour, but no lack of seriousness in the playing. There are deep roots, but the record never feels like a museum piece.<\/p><p data-start=\"4882\" data-end=\"5214\">For BluesWave Radio listeners, <em data-start=\"4913\" data-end=\"4931\">Saints &amp; Sinners<\/em> is the kind of album that deserves attention not only because it is a new British blues release, but because of the people behind it: musicians who have spent years backing major artists, holding down stages, filling studios and now pouring all of that history into their own music.<\/p><p data-start=\"5216\" data-end=\"5334\">Saints or sinners? Probably a bit of both.<br data-start=\"5258\" data-end=\"5261\" \/>But one thing is certain: <strong data-start=\"5287\" data-end=\"5334\">The BBC know exactly how to play the blues.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The British Bluescasting Corporation \u2014 or simply The BBC, though not that BBC \u2014 return with Saints &amp; Sinners, the follow-up to their well-received debut album High Horse. Released in 2025, Saints &amp; Sinners features 12 tracks and runs at around 44 minutes, continuing the band\u2019s blend of feel-good rhythm ...<\/p>\n","protected":false},"author":1,"featured_media":35410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_angie_page":false,"page_builder":"","footnotes":""},"categories":[10],"tags":[127,128,123,90,125,122,126,129,130,124,121,120],"class_list":["post-35408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-releases","tag-barry-cook","tag-ben-keen","tag-blues-rock","tag-blueswave-radio","tag-bob-cranham","tag-british-blues","tag-dave-williamson","tag-josh-phillips","tag-procol-harum","tag-rhythm-and-blues","tag-saints-sinners","tag-the-british-bluescasting-corporation"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The British Bluescasting Corporation \u2013 Saints &amp; 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